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City plan of Assur, the Assyrian cradle

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Site plan of Assur, the Assyrian cradle

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Urban Plans of Caesaraugusta (Roman Saragossa)

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Site Plan of Caesaraugusta  (Roman Saragossa)

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Κωνσταντινούπολη, Βασιλίς πόλεων

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Η παρούσα ανάρτηση αφορά τις εντυπωσιακές αναπαραστάσεις της Κωνσταντινούπολης, της ‘Βασιλίδος πόλεων’, από τον σημαντικό Γάλλο καλλιτέχνη  Antoine Helbert. Εντυπωσιάσθηκα ιδιαίτερα από τις διατομές του και τις απόψεις από αέρος. Οι ακόλουθες αναπαραστάσεις περιλαμβάνουν πέντε απόψεις της Πόλης από αέρος (οι οποίες απεικονίζουν μεταξύ πολλών άλλων κτισμάτων, τον Ιππόδρομο, την Αγία Σοφία κ.α.), δύο διατομές της Αγίας Σοφίας (από τις οποίες η μία είναι λεπτομέρεια της άλλης), διατομές του Βουκολέοντος ήτοι του παράκτιου αυτοκρατορικού παλατίου, και του Περιστυλίου του Μεγάλου Παλατίου, τα τείχη της Πόλης το 1204 όταν οι Σταυροφόροι είχαν στρατοπεδεύσει μπροστά τους, και τέλος τη σκληρή μάχη εναντίον των Οθωμανών στην πύλη του Αγίου Ρωμανού το 1453.

© Τα πνευματικά δικαιώματα των ακολούθων αναπαραστάσεων ανήκουν στον Antoine Helbert.

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Constantinople, Queen of cities: Architecture (part IΙ)

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© Credit/copyright of the following representations belongs to Antoine Helbert.

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Constantinople, Queen of cities: Architecture (part I)

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Today I’ m posting the impressive representations of Constantinople, the Byzantine ‘Queen of cities’, by Antoine Helbert, a French artist. I was impressed mostly by his cross-sections and aerial views. The following representations include five aerial views of Constantinople (depicting among many other features the Hippodrome, the cathedral of Aghia Sophia and many others), two cross-sections of Aghia Sophia (the one being a detail of the other), cross-sections of Boukoleon being the royal palace by the sea, and the Peristylion of the central grand palace and its hall, the walls of the city in 1204 when the Crusaders camped in front of them, and finally the battle at the gate of St. Romanos in 1453 when the city was besieged and captured by the Ottomans.

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© Credit/copyright of the following representations belongs to Antoine Helbert.

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Site Plans of Nineveh, Assyrian Imperial capital

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Site Plans of Nineveh, the Assyrian Imperial capital

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Nineveh: City wall and gates.

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ON THE MILITARY ARCHITECTURE OF BABYLON during Nebuchadnezzar’s reign (6th c BC)

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Α diagram of Babylon in Nebuchadnezzar’s reign.
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By Periklis Deligiannis
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Babylon was one of the most splendid and renowned cities in world History, being a real metropolis of the Near East and the political centre of a large kingdom and occasionally an empire which lasted more than a thousand years (18th-6th centuries BC), sometimes under foreign dynasties. The Babylonian kingdom remained nominally an independent political entity even when it was conquered by invaders such as the Kassites (Kossaioi) or the Assyrians. Even after Babylon’s capture by the Persians, she remained a very important city under the rule of the Achaemenids, of Alexander the Great who had chosen her as his capital, and of the Seleucids. Babylon’s gradual decline starts in the Late Seleucid and the Parthian Age and goes on more densely during the Sassanid Persian period.
The first appearance of Babylon in the historical-archaeological records possibly belongs to the 23th century BC, as a town of the Akkadian kingdom. However it is possible that the town pre-existed as a Sumerian settlement. Its inhabitants at that time seem to have been Akkadian Semite newcomers who had already started to replace the Sumerians as the main population of South Mesopotamia. I believe that a part of Babylon’s original population was Sumerian. In this phase, there is no urban planning and Babylon was in fact a Sumerian-type village or town because of the strong cultural influence of the indigenous people on the Akkadians (some scholars believe that the Akkadians were also indigenous of southern Mesopotamia, but I do not share this view).

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A representation of the city of Babylon; view from the Gate of Ishtar. Note in the front level the double wall of the inner defensive system, and the heavy fortifications of the Gate of Ishtar (painted blue). In the deeper level, note the Etemenanki Ziggurat and behind it, the Esagila (Temple of Marduk).

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